Sounds Gay, I'm In: Reflections on Queer Musicology

“For better or for worse, the ramifications of [Queering the Pitch]—and all the implicit assumptions that underpinned it—are still being felt today. Without abandoning the scope of its methodological thrust or the very real hope that initially set it into motion, we are nevertheless in need of a reparative without which queer musicology stands little chance of any meaningful survival.”